I generally prefer the vintage stuff and have a collection of vintage gibson and Fenders, but I need a decent hollowbody. With a Gretsch, I’d need to get a pre 1970s model (before the company went in the crapper for a decade or two) or a late 90s and beyond Japanese made model. Obviously I dig the vintage models, but worry about the playability of the older Gretsch. The new stuff – the Setzer, Horton Heat, and Nashville models are wicked cool, but made in Japan and may not have the resale value or mojo of a vintage model but will likely be more refined and easier to play. Any insight, thoughts or comments?
Yet another American-based company fell victim! Does Gretsch even has a custom shop and that might be made in U.S. A? Please consult your quandry! That's a shame. . . I should keep my eyes open for "vintage" models in that case. Oh, the days with the beautiful MADE "Bigsby" tremolo and the big label "in the USA" A ". . . makes you feel very lucky to find a vintage that has not been beat to hell. . . . I guess at this point, try to import and see and like / dislike. Maybe they are not so bad, craftsmanship and materials in my mind are huge aspects (besides the tone, feel, playability) to buy a guitar. Case in point I recently bought a RAZORBACK Dimebag Dean, and paid double for the U.S. model, but compared to the import of the explosion in the trash. (fret work, consolidation, craft) This is actually me out wandering. . . try before you buy my friend think that's my advice. You seem on top of things. . That's good luck! Disgusting that Gretsch Chet Atkins Signature is an import? Sad. . . just sad.